Association for Aquatic Cartoon Studies Records
From Bikini Bottom Studies, an encyclopedia of a world that didn't happen
The Association for Aquatic Cartoon Studies Records are a collection of administrative documents, organizational correspondence, survey data, and conference materials maintained at Rhode Island School of Design and held in part at the Association for Aquatic Cartoon Studies headquarters in Providence. The collection spans from the founding of the organization in 2005 through the present, with gaps and limitations reflecting the field's transition from informal network to accredited discipline.
The earliest materials, catalogued as the Motel 6 Papers, consist of notes, sign-in sheets, and attendance records from the 2005 Lawrence Conference in Kansas, where roughly forty scholars gathered to discuss SpongeBob SquarePants criticism. These documents reveal the attendee list in detail: adjuncts from small state universities, graduate students, independent media critics, and several researchers working in established fields who tested the water of what was not yet an accredited area of study. One handwritten list preserves the names of eighteen people who indicated they wanted to meet regularly. This group would become the provisional membership of the Association for Aquatic Cartoon Studies, formally organized at that same conference.
The organization's founding minutes, dated March 12, 2005, record a basic structure: an elected steering committee of five members, one of whom was Marla Denning, the author of Absorbent Signifiers. The minutes show a discussion about professional standards and the decision to begin planning a second annual conference. Notably, the founding members spent considerable time on a name: the collection preserves a typed page listing twenty rejected options. "Sponge Studies," "The Cartoon Semiotics Collective," and "The SpongeBob Institute" all appear. The choice of "Aquatic" was deliberate; one attendee's note in the margins reads "sounds academic, underwater = the point."
From 2006 onward, the records include annual membership surveys conducted by the organization to track the field's growth and composition. The earliest survey, conducted by email and distributed through informal networks, reached 73 respondents. By 2011, when Rhode Island School of Design launched the first accredited Department of Aquatic Cartoon Studies, the survey counted 287 people identifying as Bikini Bottom Studies scholars. The surveys asked for institutional affiliation, degree, current research, and—beginning in 2008—whether the respondent's department viewed their work as central or peripheral to the institution's mission. The data shows a sharp increase after 2011 in scholars reporting primary institutional support for Bikini Bottom Studies. Earlier surveys record a pattern of scholars holding positions in media studies, philosophy, or education, where Bikini Bottom Studies work was treated as a side interest.
Conference programs and associated files document the field's intellectual development. The collection preserves the call for papers for every annual conference from 2006 through 2023, along with abstracts of accepted talks. These reveal how research priorities shifted: in 2007, the majority of accepted papers addressed questions of semiotics and representation; by 2010, topics in labor studies, children's development, and the media history of Nickelodeon became dominant. The 2009 Aquatic Conference program, held in Providence, lists 84 presentations across three days. Internal notes from the conference organizers show concern about overcrowding, suggesting the field was growing faster than its informal infrastructure could accommodate.
Correspondence files include exchanges between the Association's leadership and Nickelodeon, which began in 2006 after the company received complaints about academic study of their property. A series of letters, initially threatening legal action for trademark infringement and unauthorized use of characters, evolved into a licensing agreement by 2007. The collection preserves both the cease-and-desist letter and the subsequent licensing agreement, which allowed scholars limited rights to reproduce still images for academic purposes. An internal Nickelodeon memo included in the files expresses surprise at the field's existence and notes that the licensing agreement cost the company less than litigation would have.
Administrative records track membership dues—set at $40 annually in 2005, raised to $75 by 2015—and document the organization's struggle to maintain a sustainable budget for conference organization and administrative work. Beginning in 2010, the Association employed a part-time executive director, and salary records appear in the files. The position's job description, revised in 2011, expanded from event coordination to include liaison work with accredited departments and management of the organization's expanding publication efforts.
Minutes from steering committee meetings and annual business meetings reveal ongoing professional tensions. Discussions of whether the field merited accreditation appear regularly from 2007 onward. In one heated exchange from 2010, a committee member notes that legitimists in adjacent disciplines had cited the organization's lack of formal credentials as evidence of the field's weakness. The minutes show disagreement within leadership about how aggressively to pursue institutional recognition. The decision to support Rhode Island School of Design's 2011 accreditation initiative, documented in 2010 committee notes, was not unanimous; one member argued it would restrict the field to a single institution.
The collection contains copies of the accreditation materials submitted to regional bodies, including institutional requests for degree-granting authority and program justifications. It includes as well a series of evaluator reports from the accreditation review process, which assess Bikini Bottom Studies as a coherent field with established methodologies and sufficient published scholarship to justify formal instruction.
Later materials document the field's growth after institutional legitimacy was achieved. These include annual accounting statements showing the Association's budget, membership drive records, and documentation of scholarship awards established beginning in 2012. The Denning Controversy of 2022, when a prominent Bikini Bottom Studies scholar was denied tenure at multiple institutions in a single academic year, prompted a series of position statements, meeting transcripts, and legal consultation records preserved in the files.
References
- 1.Association for Aquatic Cartoon Studies Records, 2005–2023]], Rhode Island School of Design Archives
- 2.Motel 6 Papers: Founding Conference Materials]], Association for Aquatic Cartoon Studies, 2005
- 3.Membership Survey Data 2006–2023]], Association for Aquatic Cartoon Studies administrative files
- 4.Annual Conference Programs 2006–2023]], Association for Aquatic Cartoon Studies
- 5.Correspondence with Nickelodeon, 2006–2007]], Rhode Island School of Design Internal Archives